Richard Hatch, the winner of the first Survivor show, was arrested yesterday in a domestic dispute with his boyfriend. How interesting is this? Well, the answer is ‘not too.’ In fact, it’s just an excuse to show to you – once again – his weird Web site, Rich Hatch – Dynamic, Versatile
Bright, persistent synth-driven pop—just what’s needed to get us all (those in New York, anyway) out of this rain-fueled slump, though the skill with which Vitesse craft these apparently simple, yet misleadingly elegant songs is reason enough to hear this album. Yes, Vitesse owes a debt
Abrasive? Anarchic? Just nuts? I don’t know and I don’t think they ever knew, either—or cared—and in that may be what makes this 1985 release such a worthwhile listen: it’s wholly original. Quite seriously, in an age of reprocessed/recycled culture and music (that being,
I love end-of-the-world/paranoia/disaster movies – you know the ones: Planet of the Apes (the original, thanks), The Omega Man, Soylent Green (why these all have Charlton Heston in them I’ll never know…). Well, I am very disturbed to have to report this, but there is
Warp Records wunderkind Chris Clark will change the way you feel about experimental electronic music. Though continually pushing the envelope, Clarence Park never loses sight of being listenable. Clark's debut album showcases his ability to run a wide gamut of emotion: sometimes bleak (‘A Laugh With Hills’), occasionally
Right now it’s really hot in New York. Really hot. Something about the vacant, tropical, acid-house sound on this album makes it perfect for what we’re all sweating through here. Recorded in (where else?) Ibiza (upon, reportedly, a legendarily massive load of drugs), this 1989 release strikes
Richard Rosner, a former ‘Who Wants to be a Millionaire?’ contestant, is suing the show because he claims that the correct answer to the question that knocked him off the show (at the $16,000 mark, incidentally) was not among the four choices he was given. How could an asshole
In this album San Francisco’s The Lies have crafted an intense, lovely, soaring effort that touches so many different levels of emotion and influence that this seems almost to be in a field all of its own. Keep an eye on what they do next. Favorite tracks: ‘Accident &
Detroit’s Adult. (always written with the period) is detailed, nuanced, modern, electronic music for every activity that comes to mind. Hard to describe, except in that it features pervasive vocals, extremely well-written songs, and an impeccable sense of the drama it creates. Favorite track: ‘Hand to Phone’
For the stutter beat in ‘Electronic Performers.’ For the chorus of ‘How Does It Make You Feel?’ (and for the lights). And for everything about ‘Sex Born Poison,’ this, Air’s newest release, is the album of the week. This isn’t fashion music, it’s not photo-shoot music,
