From a world borne of one part heretofore-unimagined prog beauty and a little bit of Austin, Tex., comes the latest release from Rhythm of Black Lines. This isn’t prog that’s simply been Relay-ed, either; it’s a redefinition of progressive music that transports like truly nothing
The lead singer of the U.K.-based Charlatans, Tim Burgess, has lived in L.A. since 1998. The band’s two most recent albums have met a lukewarm reception by both critics and the public alike. It’s long been rumored that the steam’s gone, the momentum’s
Morrissey has never seemed more relevant. The glory days of the Smiths are long, long gone, in fact are a preferred distant memory for the Moz himself, given recent court battles with ex-bandmates Mike Joyce and bassist Andy Rourke. And as we all know: When bands hit the barrister’
Known as much for its abject refusal to bend to the rules of pop music as for its ability to so easily create wonderful ‘pop,’ Xiu Xiu has always presented a conundrum, a mystery to expectant listeners around the world. With its latest release, Xiu Xiu may have redefined what
A two-man dueling-guitar and beats instrumental combo, Mike Stroud and Evan Mast (who’s also known and loved as electronic percussion wunderkind E*Vax), have finally released their long-lusted-after debut album. And their technical brilliance, sense of bravado, and solid songwriting skills will ensure their name
The incomplete triangle’s three sides face a reflective horizon. Its three-sided face disappears into a black mirror. You can oftentimes only see the rope that ties it together. – Dascha Mas, Considering Important Geometry Or so says the packaging for Lansing-Dreiden’s incredible debut album, The Incomplete Triangle,
Four years ago Phoenix released their debut album United, a partly ironic, partly dance-y, altogether fascinating Gallic amalgam of funk, pop, and electronica (three gross music words that go well together) that impressed everyone from critics to trainspotters to heshers alike. The sheer range of musical styles seemed more
The instrumental explorations of Richmond’s Tulsa Drone spread across a stark, moody landscape that equally recalls the prog rock of the mid-’90s Chicago scene and the later moments of Dead Can Dance—the hammered dulcimer playing as large a part as it does. That said, Tulsa Drone are
The Elected makes a kind of beautiful, traditional pop music that jumps deep into your heart and lives with you, maybe forever, with delirious Beatlesque melodies, all heavily rouged with Elliott Smith-ness. (An interesting side-note: The band recorded the album on leftover, free time at Smith’s Van
Formed from parts of The Promise Ring and Camden, and with a history that’s too confusing to even attempt recounting, Milwaukee’s Decibully oozes the kind of damaged beauty that would be right at home at the end of a dark cul-de-sac, late Big Star and Elliott
