Once again, we convene our film scholars, plus critic Michelle Orange, to discuss a major movie: “The Master,” by Paul Thomas Anderson—a masterpiece of craftsmanship, or merely an exercise of cinema and violence with no story in the center?
Our film scholars and Wes Anderson watchers, along with movie critic Michelle Orange, evaluate the filmmaker’s latest release, “Moonrise Kingdom,” where people get struck by lightning as a matter of course.
March Madness is not self-explanatory. To assist our coverage, a mother and son discuss over instant-message how college basketball works.
What does it say about you if one of the most notable themes of your travel tales is the way you kept breaking out into hysterical laughter?
Some call Wes Anderson’s new movie, “The Darjeeling Limited,” mounting evidence of the filmmaker’s racism—others, of his inability to make a decent film.
Corporate wilderness retreats and fat camps have a few things in common: mediocre food, sleeping in tents, and lustful bloodthirsty competition. Todd Levin and Bob Powers report from their summer destinations.
