Tripling
The subjects of TRIIIBE’s remarkable photos are the Casilio triplets, whose costume changes and settings are chameleon-like and socially thought-provoking.
The subjects of TRIIIBE’s remarkable photos are the Casilio triplets, whose costume changes and settings are chameleon-like and socially thought-provoking.
When Mark Hogancamp awoke from a coma after being brutally assaulted in 2000, he began to build, with breathtaking attention to detail, a minified fantasy world called Marwencol.
Environmentalist and photographer J. Henry Fair wants you to stop buying plastic bottles, driving to work, and leaving the lights on. With government controlled by polluting special interests, Fair believes we must vote with our dollars to curb environmental ruin.
Photographs of the aftermath of the 2010 earthquake in Haiti, where Wyatt Gallery found an unexpected and unlikely sense of hope in tent cities.
When a restaurant is empty, is it still an eating establishment? Wijnanda Deroo’s portraits of vacant restaurants, taken in four of New York City’s five boroughs, reflect just as much on human habits—although people are conspicuously absent from her photographs—as on the spaces themselves.
In Shinchi Maruyama's photographs, handfuls of water tossed into the air become flowerbeds or perfect cylinders. An amalgam of sculpture, performance, and photography, Mauyama's work reveals how much beauty can occur in the blink of an eye.
Photographer Sean Marc Lee’s images are refreshingly inconsistent: Next to an absurd but touching photo of two pairs of feet pressed together, their owners out of frame, is a portrait of an older man at a cafe, chopsticks in hand, with his lunch hanging out of his mouth.
Artist William Wegman is something of a polymath (polyart?). His works span from paintings and drawings, to conceptual videos, to photographs of his Weimaraner dogs.
Tiffany Bozic is a naturalist of her unconscious. In her latest work, Bozic’s paintings combine fascination with the natural world and a desire to explore uncharted emotional territory in dream-like renderings of plants and animals.
Looking at one of photographer Lori Nix’s pictures, something feels amiss long before you realize that the lifelike objects she portrays—bar stools, fountains, books, plants—are handmade and impossibly tiny.