Caught Telling Fiction
The gap between literary and historical fiction is mostly a marketing ploy—at least until a novelist meets a survivor of her story’s plot.
The gap between literary and historical fiction is mostly a marketing ploy—at least until a novelist meets a survivor of her story’s plot.
America endlessly honors its best presidents. Enough with that. A demand for a federal holiday to glorify the five who rose so high, only to fail so shamefully.
The day-to-day returns, but the sense of danger is still palpable to the Golem and Ruth. Reluctantly, he returns to his blog, this time with a prompt.
When Allen Ginsberg stayed with my family, we played video games and read together. But the harmony was broken when the yoga began. It wouldn't be the last time.
Norman Seaman was one of New York’s great avant-garde supporters. In his biography, he said, John and Yoko would only get a chapter.
After 26 years writing Harper’s Notebook, Lewis Lapham talks about history, essays, and modern journalists.
A pause in the action, as the Golem recounts important moments in the brothels and strip clubs from his past, both recent and not-so-recent.
On the run from the kidnappers, the Golem remembers the child he first met when he too was new.
After his odd job draws to a close, the Golem, still on protection duty, realizes a new task lies ahead.
Accompanied by a nervous, loudmouth dog, our writer sneaks into a hidden, underground city where Britain hides thousands of extremely dull documents.