Elizabeth Fraser of Cocteau Twins sings on the new single from Oneohtrix Point Never.
Elizabeth Fraser of Cocteau Twins sings on "Tales From the Trash Stratum," the new single from Oneohtrix Point Never's upcoming album.
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Lachlan Turczan's video from Blake Mills's "Money Is the One True God."
Lachlan Turczan's video from Blake Mills's "Money Is the One True God" magnifies physical currency to discern what we truly value.
Agnès Varda's "Cléo From 5 to 7."
Add this to the queue: Agnès Varda's Cléo From 5 to 7 (1961) "follows a pop singer through two extraordinary hours in which she awaits the results of a recent biopsy." via Kottke
Kirby Ferguson's "Everything Is a Remix" is here for 2021.
Kirby Ferguson's "Everything Is a Remix" is here for 2021.
"The Good, the Bad and the Ugly" on classical guitar.
A man wearing a tuxedo, with long fingernails and what appears to be a stiff martini, plays Ennio Morricone's "The Good, the Bad and the Ugly" on classical guitar.
A beautiful and riveting animated short, "Impasse," directed by Caroline and Frank Mouris in 1978.
A beautiful and riveting animated short, "Impasse," directed by Caroline and Frank Mouris in 1978.
A roundtable discussion about pressure, profits, and mental health
Prior to the US Open starting this week, Racquet Magazine hosted a roundtable discussion about pressure, profits, and mental health with Mardy Fish (who's got a new doc coming to Netflix that we're very interested to see), Billie Jean King, Nick Kyrgios, and Naomi Osaka. It&
Animation atop Hong Kong housing estates.
Animation atop Hong Kong housing estates give the effect of a never-ending urban complex, by Max Hattler.
How to brew coffee in the 1850s
How to brew coffee if you time-travel back to 1850s Vienna. Physics explained over here. Via Open Culture
An interview with Robert Levin
Some improvised Mozart to listen to before you read this interesting conversation in Van Magazine with Robert Levin, whose version of Mozart's Requiem is considered the most convincing by many critics. I don’t want to be wrong, but I don’t really want to be right either.