Compiling early raw material and a number of later singles and b-sides, Substance 1977-1980 is a fine, impressive collection not exclusively for Joy Division/Factory completists, but really for everyone, which is an uncommon effect in singles and b-sides collections, really; this often, in fact, seems like
For anyone who saw this morning’s edition of the New York Daily News, you know that Al Gore really cut loose at his post-concession get-together. Though the event was, initially, quite somber, given the recent concession, the event soon turned into what The Morning News, had we
The first LP was groundbreaking; the EP took that momentum and displayed a tightness that was teeth-shattering; and now (actually, last October, when this record came out) Godspeed You Black Emperor! must certainly be at the height of their powers: full-on walls of sound (that never fear veering
It’s a far, far cry from Deserter’s Songs, most definitely, and this is where it all began for Mercury Rev. Exploding on the musical map like (and we’re quoting here) a dorm-room bong hit, Mercury Rev made no apologies and offered no explanations for an album
The short, tumultuous career of the D.C. quintet Jonathan Fire*Eater culminated in the 1997 release of their debut album, the quality of which may only be surpassed by their Tremble Under Boom Lights EP. Riding high on a wave of hype that was, in every way, utterly deserved,
One of the best albums Echo & The Bunnymen recorded and, certainly, their most ambitious. Three years before finally infiltrating American shores with their Doors-esque ‘Bedbugs and Ballyhoo’ (or their cover of The Doors’ ‘People Are Strange,’ for that matter), The Bunnymen astounded the music world with this beautifully
The most obvious reference point for this album, which has, in the past week, put Morning News staffers in their rightful place (and asking themselves why they hadn’t listened to this masterpiece before and thanking our friend Victor for making us do so), is a Britain in the early
