If you’re anything like me, you can’t get enough David Bowie. Except of course for the whole Tin Machine thing. What was he thinking? Whatever. A new covers album called Life on Mars—each song hand-picked and approved by Bowie himself—will be released on July 8.
Known as one of the most influential bands to emerge from the British punk scene in the late ’70s, both for their music as well as their Situationist politics, Wire has done what few of their contemporaries could manage to do: They stayed together. A little over a month ago,
While perusing Radiohead’s Dear Air Space blog the other day, I came across an entry by someone calling himself “Colin,” who implored readers to seek out a new album by someone or something calling themselves “One Little Plane.” After a brief and painless amount of research, I discovered this
There will probably always be a foolish, rebellious, adolescent part of my consciousness that will try to act out by imploring me to slam dance, play with fire, and tempt the forces of evil. Though my staid, responsible, adult brain is unlikely to give in to these impulses anymore, thankfully
After signing to Sub Pop back in ’06, Brooklyn-based Death Vessel was expected to release something shortly after. Now, two years down the road, the label debut is slated for mid-August. The music, which calls to mind the Shins’ more stripped-down work, is folksy, droney, and twee,
After calling Guided by Voices quits just four short years ago, Bob Pollard, the quits-caller, has released about eight solo albums, plus various EPs and albums with side projects (e.g., the Takeovers, Keene Brothers, Circus Devils, etc.). To call him prolific is nearly an understatement, as it’s
I’m a sucker for a good cover, and this week’s honorable mention goes to the Acorn, a Canadian group that recently contributed a cover of Cyndi Lauper’s “Good Enough” for a Coke Machine Glow podcast. Their version softens Lauper’s already nonchalantly pop masterpiece, but the highly
Only recently was I clued in to Parts & Labor, a Brooklyn-based noise-pop outfit playing at this summer’s Siren Festival at Coney Island. Luckily I heard about the group just in time to find out about member Dan Friel’s solo work, which is mostly instrumental noise
At the tender age of 15, Lil Wayne was already becoming something of a trump card in Cash Money’s hand, and Wayne’s Hot Boys group produced some of the more popular singles from the label (cf. “We on Fire” and “Project Chick”). Ten years later, Lil Wayne has
Hailing from Seattle and signed to the cred-dispensing Sub Pop label, Fleet Foxes not only has a really cute name that’s fun to say, they have current and former members of such noteworthy indie groups as Crystal Skulls and Pedro the Lion. What’s better, they hate hippies.
