Once again, we convene our film scholars, plus critic Michelle Orange, to discuss a major movie: “The Master,” by Paul Thomas Anderson—a masterpiece of craftsmanship, or merely an exercise of cinema and violence with no story in the center?
Our film scholars and Wes Anderson watchers, along with movie critic Michelle Orange, evaluate the filmmaker’s latest release, “Moonrise Kingdom,” where people get struck by lightning as a matter of course.
Some call Wes Anderson’s new movie, “The Darjeeling Limited,” mounting evidence of the filmmaker’s racism—others, of his inability to make a decent film.
All of these unlikely musical pairings are bound to get unlikable soon. But rest assured somebody out there will still appreciate the effort. Reviews of the very last of the famous international long-playing records.
Space: the final frontier…of delicious cooking! Our writers have an exciting new idea for a cookbook that has “out of this world” recipes that are “universally appealing.” Get ready, because it’s T-minus 10 to tasty!
Ever wonder why your life’s not more like Mel Gibson’s? Ever think maybe it’s because he gets better narration? Pasha Malla and Mike Baker bring us a batch of movie trailers scripted for real-life scenarios.
Every year we watch the nominations unfold, the awards change hands, and the speeches drag on. But we miss all the inappropriate jokes, drunk punches, and other such un-televisables. Here’s the moments Oscar wished he’d never seen.
