Cathedrals of Desire
Costco is cheap. Convenient, even, but should it be the subject of fine art? Here, the aisles of Home Depot and Target are the landscapes of the 21st century.
Costco is cheap. Convenient, even, but should it be the subject of fine art? Here, the aisles of Home Depot and Target are the landscapes of the 21st century.
Imagine an America in which all-female families survived the Great Depression raising children and farming homesteads in the absence of men (and in the absence of today's detractors to gay marriage.
Nigel Peake’s new book is a lovely collection of drawings about farms, fields, and birds. It is pretty much irresistible, taken from childhood impressions and Peake’s current life in a one-road Irish village, where he is mistaken for the postman.
How is it we can know what Jupiter’s Great Red Spot looks like, or Saturn’s rings, or the dusty surface of Mars, though no human has every seen them in person? Michael Benson turns NASA’s data sets and grainy pictures into dazzling, saturated images of our solar system.
Robin Williams—no, not that Robin Williams—paints sulky, introspective adolescents. Her figures are waiting to emerge from underneath snowball beards, oversized hats, and heavy party dresses. These costumes may be fantastic, but the paintings suggest that what they've hidden is more amazing.
There’s something irresistible about photographer Jean Pagliuso’s birds. From chickens to falcons, their pride, confusion, sweetness, and complacence jumps out in these “honest and forthright” portraits.
Everyday scenes from life in Brighton, England are suffused with an eerie magic by the shapes created by flowers and small insects placed by photographer Stephen Gill into his camera.
Trey Speegle’s paintings combine the highbrow and lowbrow with a nod toward Pop Art, overlaying meticulously altered vintage paint-by-number graphics with messages to the viewer.
On his way to the Mojave Desert, photographer Jamey Stillings stumbled across a rare intersection of awesome innovation and breathtaking scenery—the Hoover Dam.
Sze Tsung Leong creates incredibly dense portraits from high vantage points that bind the world’s cities to his perspective—embracing and very open, though from a distance.