The Blind Photographers
A new collection of pictures from blind photographers around the world suggests that blindness is itself a kind of seeing.
A new collection of pictures from blind photographers around the world suggests that blindness is itself a kind of seeing.
What is the best way to honor a man like Dr. Martin Luther King, Jr.? Photographs from a cross-country trip to document streets named after the American icon.
A longtime leader of New York’s performance art world, Martha Wilson’s photographs exist as proof of her experiments with multiple identities.
Protesters are clashing in the street over paintings. What is it, whether in art or literature, that makes one thing better than another?
Photographs that find stillness in turbulence, moments close to reverence when almost nothing's in control. Peter Bohler walks us through what it’s like to find a niche in the world of glossy assignments.
From Texas rodeos to New York City streets, black and white photographs find modern life endlessly surprising.
A photographer earns the trust of marijuana farmers in California’s “Emerald Triangle,” as the clandestine world of cannabis cultivation begins to open up.
Inspired by memories of his own childhood in the UK—part joy, part Lord of the Flies—a photographer studies playgrounds around the world.
Three years of photographs from Europe’s mountainous backcountry, where off-the-grid communities struggle for autonomy.
Art from World War II's masters of deception—including the likes of Bill Blass, Ellsworth Kelly, Art Kane—who served in a top-secret unit that fought the enemy with trickery.
Dramatic photography from one of British Columbia’s most stunning spaces, under constant threat from mining development.
A darkly pop sensibility turns familiar objects on their heads—so a toothbrush becomes erotic, and popsicles are strangers in a crowd.
The traveling salesman would seem to be an elusive, dying breed in America. In Sara Macel’s “May the Road Rise to Meet You,” she hits the road with her telephone-pole salesman of a father, rediscovering him in the process.
The bachelorette party can seem like a crude, commercial ritual. But at its core are emotional ties that bind.
Stella Maria Baer has made a life for herself in the Northeast. But her ethereal treatment of the cosmos and the desert have won her a massive, devoted following.
Niagara Falls is known as the perfect place for a romantic honeymoon, or a spectacular death. Rebecca Bird’s paintings capture arrested motion with poise, mystery, and careful attention.
Too often we assume art requires interpretation. But paintings don’t need to broadcast meaning to be meaningful.
Over seven years, an artist watches a beloved forest suffer a “massive tree mortality event,” then gradually recover and become something new. The result: a lesson in entropic beauty.
Biker rallies, rodeos, and other loud gatherings in the American South. Watch out for the flaming torches.
Photographs of communities existing around the mine dumps of Johannesburg, South Africa—defunct mines that were closed decades ago being re-mined for any traces of gold.
Paintings of divers, ships at sea, and Superman—wearing underpants or not—find common ground in quiet mystery.
Paintings of peculiar worlds where butterflies sizzle in frying pans. The more you pay attention, the less you’ll understand.
Female subjects painted in classics by old masters—“Diana After the Hunt,” “The Rape of Europa”—get their voices restored, and with them new narratives and powers.
Paintings made from commercial cassette tape can’t help but embrace a sense of decay that’s inherent to the material.
Portraits of a queer community in South India treat gender, biology, art, and family with emotional nuance—no exoticism in sight.
Incredible photographs from 10 years of documenting the quickly changing landscapes of the Arctic and Antarctic, where no two icebergs are alike.
A new book surveys the artistic career of Mark Mothersbaugh, from drawings that inspired DEVO to recent film scores.
Whitney Bedford’s paintings of ships and shipwrecks, ocean ice and fireworks, are simultaneously hot and cold, catastrophic and serene. It’s a tension that makes for some very turbulent art.
Popular notions of the Great American Desert were of a land barren and uninhabitable. But away from the frills of modern life, photographer Robin Mellor finds answers when he asks his subjects, “What’s the meaning of life?”
Portraits of the hustlers, businesswomen, singers, and teachers who were regulars at one of Manhattan’s most notorious dives.
An artist’s personal issues become manifest through dozens of identically dressed little men.
A Seattle painter creates friendly portraits of volcanoes in part to mitigate fears of complete system failure.
A week’s worth of street photographs and interviews from the pro-democracy protests in Hong Kong—that most civil of civil disobedience movements.
A new book captures Chicago’s financial markets at a moment when there are no offers for trades—any trading company’s horror vacui.
Alison Blickle’s paintings—full of ceremony, mysticism, and sisterhood—remain electric with desire, even when the object of desire is a mystery.
Mid-century magazine clippings find new life in collages that are just the right amount of weird and clever.
Copper deer, bears with cabinet legs, and other absurdities to be found in the future wild.
Portraits of black men that bring attention to the unique humanity of each individual.
In elaborate collages and installations, paper can generate elements that are capable of building new worlds.
Susanna Bluhm’s paintings of Yosemite and other locales are full of place and history—and, as she tells us, plenty of sex and weather, too.
Eve becomes a woman of many lives, whether trying her first cigarette or weeping in a wedding dress.
Photographer Catherine Leutenegger chronicles the decline of the Eastman Kodak Corporation and the city built by Big Yellow.
A young abstract painter from San Francisco explains why Instagram is the best art critic of all.
The business and madness of modern sports appear, through subtle augmentation, in classics of American art.
Paintings of New York from the perspective of a plane flying at 1,200 feet, along the Hudson River.
The Thirteenth Amendment passed 150 years ago, abolishing slavery. Today, little of the Underground Railroad still remains. A painter hits the road to discover what’s intact.
Tobacco farmers, churchgoers, and signs of rapid growth crop up like kudzu along North Carolina’s Highway 15-501, aka Tobacco Road.
Portraits of scientists, explorers, and other “professional dreamers” who have found their way to the North Pole.
Paul D’Amato’s portraits, collected in the masterful new book “We Shall,” represent 10 years of photographing the west side of Chicago.
A redacted version of Mao Tse-tung’s “Little Red Book,” illustrated with photographs of contemporary China, becomes a story for modern times.
Cityscapes as you’ve never seen them before, built from luxury watches, sapphire pools, and other media prescriptions for the perfect life.
Large-scale, hand-drilled portraits—where pixels are drilled from enormous blown-up photographs—of people killed in Mexico's drug wars.
Large-scale abstract paintings that recall networks, maps, and schematic diagrams—and with each subsequent viewing can become anything at all.
Photographs of life inside a mining boom, from Montana to Texas, that’s producing a new, modern version of the Wild West.
Photographs from a new book of American public libraries—some famous, some neglected, some both—plus an essay by former Poet Laureate Charles Simic.
In Mumbai, paltry regulation means hundreds of new skyscrapers bring more lows than highs. Photographs of new construction, with titles named after the buildings’ advertising slogans.
Haunting portraits of ancient old-growth forests in Northern California and the people who live in the former boom town next door.
Evidence of diversity emerging in Northeast Tennessee, historically one of the United States’ most conservative, homogeneous regions.
Sumptuous, extremely close-up paintings of hair gel, body wash, and other beauty products, using 5-hour Energy powder, Viagra, and MDMA to create pigments along the way.
The power of architecture, the architecture of power—it’s all one and the same (and occasionally beautiful) in the business of high-tech.
An artist observes her own process of making art, from daily encounters with her computer to personal reflections on how life itself unfolds.
Paintings of swimmers underwater, from an ongoing series that pays homage to summers spent sinking and floating in the lakes of Minnesota.
Aerial views made from direct observation, enlivened by composite viewpoints, heightened color, and the manipulation of light and scale.
Found photographs hand-altered with embroidery and collage, transforming pictures that were somehow incomplete.
Street photography has never been more popular, now that everyone has a camera in their pocket. But truly good work requires constant failure—and constant walking.
The staff choose their most-liked pieces published in 2013: a trip to Patsy Cline's divided hometown, the complete biography of North West, a cold case of hit-and-run, and no shortage of great quotes about dead bodies.
In the “visibleInvisible” series, a pediatrician-photographer takes luminous portraits of people considered to be outside beauty’s dominant ideal.
Human beings captured behind closed doors, in their most animal state. Some images may be considered NSFW.
Photographed asleep, sunbathers on the beach show how endearing—and universally human—we all can be when we just lie down and let loose.
A project to document Wisconsin’s broad variety of deer stands takes on new meaning after a round of chemotherapy.
In training centers around the world, American soldiers are taught to kill at close range—a “personal kill.” Pictures of the places where soldiers practice, and a discussion of the US military’s increasing reliance on machines.
Inspired by folk tales, mythical beasts, and Portuguese azulejos, an artist paints her own version of natural history.
Sometimes beauty appears only for a short instant, as a flash of visual energy. It’s the photographer’s job to wait, observe, and then pounce.
Many painters depict themselves, but few work exclusively in the genre of self-portraiture. Selections from Haley Hasler’s body of work—the artist in costumes of everyday life.
Portraits of men in Philadelphia taken just moments after they catcall a woman on the street.
Pictures from a photojournalist embedded with a Free Syrian Army militia in Aleppo, the country’s largest city, now torn apart by war.
When an artist receives a heart transplant, his drawings of the procedure acquire all the gravity of a fever dream—intensely realistic, with hallucinations of the dead.
One woman powers herself with a solar panel. Another wears a neon sign in her Afro. In the future as in the past, identity is never one-dimensional.
When a photographer reviews 35 years of unposed family pictures—unexpected moments, children growing older—a symphony appears.
Multi-layered photographs show people’s inner lives merging with their environments—suggesting that what we see of reality is less than what actually exists.
Ear cleaners, knife grinders, street-side barbers—portraits of Indian tradesmen who maintain caste-prescribed professions.
Modern-day totem poles constructed from Americans’ favorite consumer materials—cars, beer cans, even cheeseburgers.
Irresistible watercolors of mouthy cowboys, automobile wrecks, boxing matches, rodeo clowns, and rock bands.
Square paintings that take the smallest things—a gas station’s roof, a swing set’s leg—and find unease in the most cheerful of circumstances.
A new book, “Only in Burundi,” provides a candid look into the post-conflict, everyday life of Burundians, from nuns to the president.
In the instance of slipping, there’s a moment of stillness just before you lose control. Selections from 10 years of a falling man’s self-portraits.
A former criminologist focuses on the lighter side of Los Angeles. Oil paintings of the city’s shops, streets, and people, with a particular focus on a single bright pink store.
Foliage bursting into living rooms. Houses floating in trees. Dynamic paintings of how natural and built spaces invade one another.
Portraits of a boy who was born without eyes, from one of the 21 “new and emerging photographers” selected this year by Lens Culture.
Experiencing a piece of art can be transporting, but the act of explaining it to someone else is an art form in itself. No wonder that docents, professors, even patrons get caught up in the act.
Selections from Sam Stephenson’s multi-artist project documenting a season with the Durham Bulls, the North Carolina AAA baseball team that inspired the film “Bull Durham,” which celebrates its 25th anniversary this year.
From his new solo show in the United States, black-and-white selections from Takuma Nakahira’s “Circulation: Date, Place, Events,” plus a reprint of his 1973 essay, “Looking at the City or the Look From the City.”
Portraits of community, recreation, and environmental abuse along the riverbanks of Washington, DC’s, Anacostia neighborhood.
Pictures from the edges of the Northern Gaeltacht, the Irish-speaking area of County Mayo and one of the last true wilderness areas in Western Europe.
India’s prevailing image is one of noisy animation—development, overcrowding, and horrible traffic. In comparison, night-scapes of urban India capture the life, or lack thereof, that darkness conceals.
New paintings that question how much we truly influence our fate, and whether or not life is just a string of accidents.
Fine-art photography from one of the snowboarding world’s best practitioners, “Creager,” who recently retired from traveling the world in search of snow.
Even abstract art must begin with something, Picasso said. A broken Polaroid camera, grinding film through its gears, yields a surprising amount of fleeting beauty.
Black and white portraits of young men and women at the Milton Margai School for the Blind in Freetown, Sierra Leone.
The Hereros of Namibia added Victorian fashion into their traditional costume under German influence in the late 19th and early 20th century. Photographer Jim Naughten explains how he became fascinated with this community.