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Rosecrans Baldwin co-founded TMN with publisher Andrew Womack in 1999. His latest book is Everything Now: Lessons From the City-State of Los Angeles. More information can be found at rosecransbaldwin.com.
Artist Joe Fig documents the day-to-day lives of 24 contemporary artists with photos of their studios, notes on their work habits, and interviews about where and how they make art.
The two girls in Blake Fitch’s photo series are easy to relate to: Their friendship and emotions transmit quickly through the pictures, but with added illumination, as though the images brought out inner reserves of self-possession.
Richard Barnes’s photographs are dislocating, off-putting adult hocus-pocus—portraits of animals in various states of preservation and transit, removed many degrees from anything remotely wild.
Photographer Christian Chaize’s presents a charming portrait of a small patch of sand as it changes from day to day.
Through collecting and many Freedom of Information requests, Trevor Paglen assembles a full sash of secret military badges, and they make for a fun tour through some vaguely unsettling regalia.
Once upon a time you needed to visit the latest World’s Fair to see what was new—and the structures and relics of those events still live among us, even if they’re treated like so many architectural burger wrappers.
Stan Gaz brings together 85 gorgeous portraits of “impact sites”—pockmarks on the Earth marking where the planet’s been struck by meteorite fragments.
Not sure if this question is appropriate for the morning show but I’d like to know if Jad would ever consider exploring why humans have no guilt in killing...
Painter Silke Schöner turns landscapes on their heads with extraction, paving fields and sky with empty plains of space that we can fill in.
TMN is looking for an intern for Summer 2009. The internship is unpaid and done where you like. You’re required to supply your own computer, web connection, and green visor....
Andrew Bush combines performance with portraiture and a disconcerting measure of intimacy in a series where he took portraits of other drivers—often at 70 miles per hour—with a medium-format camera attached to the passenger side of his car.
Photographer Mark Ruwedel creates topographical studies and archival files that capture the luminescence of countryside that’s been passed through.