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The sign industry is making a comeback, restoring brush and paint into our contemporary landscape of sameness. From the new book Sign Painters, portraits of America’s best sign painters and their work, with an essay by artist (and former sign painter) Ed Ruscha.
When “small batch” equals big dollars and one-person companies are supported by corporate-size websites, is “hand-made” what we think it is? A report from North America’s largest consumer craft fair, where the competition for puppet dollars is intense.
The post-post-apocalyptic cityscape will see houses built in hammocks, and neighborhoods bound by chains. If you’ve ever felt that urban living depends on a wing and a prayer, welcome home.
From Schwarzkopf’s boots to traffic cones, the federal government’s official color palette—yes, it has one—controls much of what we see. An investigation into how America elects to paint itself.
Experts answer what they know. The Non-Expert answers anything. This week we answer a question that has plagued us all since the day after we invented plumbing.
Most graphic designers are lazy about type, so when they find a font they like, they stick to it. In the 90s, everyone used Interstate. Dmitri Siegel interviews Tobias Frere-Jones, Interstate’s designer, to see if he’s drawn the next big face.
The five questions for illustrator and web designer Emme Stone.
Cina is a designer in the broadest sense. His work spans a wide range of commercial and personal art, including print and web design, typography, painting, photography, and bookmaking. Also, he is a fisherman. Our writer interviews the man behind True is True.