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The estimable Chip Kidd, designer of books’ fronts, backs, and spines, chats with our man in Boston about what it’s like to work on the words that come in between.
Three novels under his belt, Arthur Phillips sits down for a chat with our man in Boston about his commitment to fiction writing and, a challenge on quite another level, finding the discipline to focus on one piece at a time.
The jazz chanteuse talks about meeting a legend, experimenting with styles, and finding her own voice.
It’s humans’ flaws that make the world go round, and novelist Susanna Moore examines them under intense magnification. She chats with our man in Boston about crime and punishment.
When history class turns into a blur of names and dates, historical fiction may be just what you need to put a face on things. Thomas Mallon talks with our man in Boston about the appeal of novels and the state of publishing.
For singer Cassandra Wilson, some of the best music is composed on the fly, and if the entire performance is last-minute, so much the better.
Growing up in a family that requires Saturday night recitals is a crash course in how to please a crowd. A conversation about a lifetime of commanding performances.
Transplanted Irishman Colum McCann has just finished a ramble with Gypsies in his newest novel, Zoli. A conversation about the Romany people, the perils of writing novels tied to history, and more.
Pianist Cecil Taylor stormed onto the New York City club scene in the 1950s, shaking the foundations of modern music with what would become known as free jazz. A conversation with the master.
Sigrid Nunez wanted to be a dancer, and lucky for her readers, that didn’t work out as planned. Nevertheless capable of some deft footwork, she explains to our man in Boston how the two pastimes are similar.
The Mick Jagger of British literature is out with another book slated to be a hit. A conversation about everything important under the sun: getting older, the differences between life in Uruguay and London, and the best ways to write fictional footnotes.
Jazz saxophone legend James Moody talks about how racism shaped his early career, what a “hot flute” can do for a repertoire, and encouraging budding musicians.