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Hyperrealist sculptor Carole Feuerman’s astounding work feels so alive because there’s an unbreakable spirit inside each piece.
Watching a motorized Lego sculpture of Sisyphus pushing a rock is enough to satisfy our brains.
Mid-century magazine clippings find new life in collages that are just the right amount of weird and clever.
Copper deer, bears with cabinet legs, and other absurdities to be found in the future wild.
In elaborate collages and installations, paper can generate elements that are capable of building new worlds.
This summer in Manhattan, it was important to wait in line for an hour to see light designed by James Turrell. Many bought the hype. Many were angry afterward.
Personal collections groomed over decades gather signs of Bigfoot, the Loch Ness Monster, and other hidden animals—crumbs of a fuller truth preserved by citizen scientists. One such collection in Maine is open to the public.
Using a darkened home, precisely placed mirrors, and the occasional judicious cut in a wall, light becomes sculpture.