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Pictures from the edges of the Northern Gaeltacht, Irish-speaking area of County Mayo in northwest Ireland and one of the last true wilderness areas in Western Europe.
India’s prevailing image is one of noisy animation—development, overcrowding, and horrible traffic. In comparison, night-scapes of urban India capture the life, or lack thereof, that darkness conceals.
New paintings that question how much we truly influence our fate, and whether or not life is just a string of accidents.
Fine-art photography from one of the snowboarding world’s best practitioners, “Creager,” who recently retired from traveling the world in search of snow.
Even abstract art must begin with something, Picasso said. A broken Polaroid camera, grinding film through its gears, yields a surprising amount of fleeting beauty.
Black and white portraits of young men and women at the Milton Margai School for the Blind in Freetown, Sierra Leone.
The Hereros of Namibia added Victorian fashion into their traditional costume under German influence in the late 19th and early 20th century. Photographer Jim Naughten explains how he became fascinated with this community.
Women of the African diaspora crowned with elaborate headpieces, celebrating might, independence, and heart.
Inspired by Old Master still lifes, Paulette Tavormina’s photographs lie in an uncanny valley of beauty—dew-dappled flowers combined with jumping goldfish.
Exploring the appeal of “show caves” around the world, from their breathtaking natural beauty to the variety of tourist grotesqueries.
The Oscars are consistently irrational, but we wanted more for David O. Russell’s fantastic Silver Linings Playbook. Film critics David Haglund, Pasha Malla, and Michelle Orange discuss why the movie so divided critical opinion, and became such a hit with audiences.
Portraits of leisure time and permanent parties in “the strange emptiness” of a Czech reservoir, close to the Austrian border.