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A series of imposing mountain ranges made from cornices of thick paint, ridges lightly shadowed, and humans hidden in the snow.
The sign industry is making a comeback, restoring brush and paint into our contemporary landscape of sameness. From the new book Sign Painters, portraits of America’s best sign painters and their work, with an essay by artist (and former sign painter) Ed Ruscha.
Once again, we convene our film scholars, plus critic Michelle Orange, to discuss a major movie: The Master, by Paul Thomas Anderson—a masterpiece of craftsmanship, or merely an exercise of cinema and violence with no story in the center?
New paintings where time periods and people shift within the frame, and everything and everyone is unsteady.
To the uninitiated, they’re just paintings of ships on the ocean. Curator Joe Vallejo explains what makes the tradition of marine art romantic, enigmatic, celebratory.
In a meta-exploration of the “struggling artist” myth, Joe Fig paints portraits of artists—Basquiat, Rembrandt, Kahlo—as portrayed in classic films.
Since the 1980s, changing social mores, rising gas prices, and advancing technology have resulted in an information gap just screaming to be studied. A guide to demystifying songs from the ’80s for later, digitally native generations.
Musical therapists can improve patients’ cognitive functioning and motor skills. But sometimes the battle is to keep a mind intact. Avant-garde composition and EKG techno in a London care center.
Galaxies and night skies constructed entirely from ashes, creating a tangible connection to notions of death and what lies beyond our atmosphere.
Gallery owners don’t often show up in the art they sell—probably because they’re too busy having meetings to pose. But an art gallery itself turns out to be as much a theatrical diorama as a place of business.
Intimate, candid portraits that capture the intimacy, private moments, and self-sufficiency of girlhood, from the riveting book Girl Ascending.
Americans have always regarded their cars as more than vehicles, and nothing demonstrates that aspiration better than the typography and proper nouns used to name those dreams.