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Artist colonies are mysterious places. Available only to a select few, supposedly teeming with alcohol, affairs, and creative hoodoo. But the rumors aren’t true—they just lack detail. Scenes and lessons from three residencies.
Glossy paintings of young women in Iran inspired by Playboy magazines the artist found in her father’s closet
Portraits of jets at play in the Italian Alps, children posed like adults, and adults bobbing in the sea.
Large-format abstract photographs that use light to create celestial shapes we recognize—in some cases because they began as Christmas lights.
Vivid, fun, and surprising photographs where sex is mysterious and playful. Some images may not be safely viewed in an office environment.
Our film scholars and Wes Anderson watchers, along with movie critic Michelle Orange, evaluate the filmmaker’s latest release, Moonrise Kingdom, where people get struck by lightning as a matter of course.
Eye-catching landscapes don’t need glitter to produce mystery. Beautiful monochrome paintings that capture the vastness of sea, sand, and sky.
Portraits that find Manhattan’s Lower East Side in 1980 and 2010 showing different faces—blight, renewal, and the pursuit of hipsterdom—and also many things that (thankfully) never change.
Paintings crammed with matriarchs, wrestlers, and girls wearing bananas on their heads—where quite a lot more is going on than first appears.
Using a darkened home, precisely placed mirrors, and the occasional judicious cut in a wall, light becomes sculpture.
Intricate designs found in large-scale, labor-intensive relief prints made from the cross sections of trees and lumber.
Irresistible paintings don’t always need giant frames. An interview with the painter who electrified this year’s Whitney Biennial.