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Portraits of young men in Panama showing off their bikes—strikingly decorated, variously macho, and altogether priti.
Joining a band at middle age can feel like a juvenile, shameful pursuit, until you consider all the gear you get to buy. A report on purchasing earplugs and playing live—but why are the crowds so small?—when you’re 40.
Pictures where the eye lingers not only on the image, but in it, as if something is waiting still deeper inside.
Photographs of people at war by the co-director of Restrepo, from an upcoming show at New York’s Yossi Milo Gallery.
Three series where the photographer waits until his subject finds a moment of perfect lighting.
Elegance found inside an Arizona parking lot of retired B-52 bombers, where function and form can be equally disturbing.
Imagine the people you see on your morning commute—sleepy, bored, stoic. Now picture them jammed together in the bed of a truck, speeding down the highway to work. Photographs of Mexico’s hidden (literally) class of workers.
An unfinished autobiography and a 1980s biopic turned Frances Farmer, one of the great golden-era stars, into a lobotomized zombie. The main trouble: Frances Farmer wasn’t lobotomized. An investigation to set one of Hollywood’s most convoluted stories straight.
Blazing, husky paintings that deal with class in America—where everyone has an equal opportunity to be a mess.
Sometimes a book appears in your life and starts to pester you. The characters act like your friends. Events occur in the plot that reappear inside your home. It’s enough to drive a man to wonder which world is more real, until danger appears.
In Laura Plageman’s “Response” photographs, nature pictures are ripped, folded, and turned into sculptures, then re-photographed to become unusual new landscapes.
Situationist invades Hoxton… Street poems arouse Londoners… Public discourse colored by disfigured Futura… Robert Montgomery’s street poems have something to say to you.