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Our children are unique composites of our genes and our mate’snoses, hairlines, and tennis serves. Unfortunately, the kid can also get saddled with Uncle Tom’s halitosis. Another installation in our writer’s saga of birth.
Part of becoming a father is accepting responsibility for how another person turns out. But can you hold your own family responsible too? And is it smart to gather them all on a cruise to find out? Our writer continues his illustrated saga.
Leaving New York for Ohio, even for a short time, is an exercise in real-estate envy and relaxation, except for all those drunk cowboys. Our writer continues his tale of pregnancy with a new episode about patience and gunfire.
You can have a successful career in your thirties and still pretend you’re 18, carousing at clubs and sleeping on a futon. But to have a baby at the same time? Our writer continues the Peanut with a new installment on adulthood.
Attention men: Want to have a child? Then you better come up with a plan for making sure you accomplish the vital first steps. Our chronicler of technical wherewithal brings us a new episode of the Peanut.
There are hundreds of wonderful books on motherhood for women; there are zero decent books on fatherhood for men. Our contributing illlustrator starts a new series, to continue here every other week, about fatherhood. Welcome to the Peanut.
It’s art, it’s play, it’s political protestno matter what it’s called, street art is all around us, changing the face of our cities when no one’s looking. So what is it exactly? We round up some of the legends of the scene to talk about the history of street art, and where it’s headed next.
Urban art is somtimes more about accidents and coincidences than planning commissions and community boards. Photographer Marshall Sokoloff brings us a gallery of abstract paintings—the results of people trying to mask graffiti.
Can watercolors change how you perceive a killer? Do murderers have a harder time sitting for portraits?
How much can you tell about a person from their yearbook photo, particularly when the yearbook is stocked with killers?
Successful illustrations need strange perspectives in order to tell a story and, hopefully, strike a viewer across the mouth. An interview with pro illustrator Richard May, plus a gallery of his recent work.
Sometimes it’s difficult to explain things without the use of visual aids. An interview and gallery by artist Claire Oswalt, who does exactly that, taking the essential pieces of everyday things and finding the connections between them.