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Before the internet, before Facebook, before Twitter, a group of British documentary filmmakers launched what has become the grand-daddy of reality television. What can Seven Up! tell us about our own experiences in the (self-induced) spotlight?
Irresistible paintings don’t always need giant frames. An interview with the painter who electrified this year’s Whitney Biennial.
As Mad Men enters its much-anticipated fifth season, the New York psychotherapist who consulted on the show’s development explains why its characters and storylines feel so ineffably real.
You wanted it. You were willing to give up BBC dramas for it. Now it’s time to readjust to the working life. Welcome back.
As much as 2011 was filled with noteworthy events, it was also littered with meaninglessly overhyped blips that, try as we might, we shouldn’t forget. We asked our group of writers and thinkers: What was the least important event of 2011?
From time to time I’ve had fun thrashing Midsomer Murders, because it appears to be filmed on a whites-only agenda—my wife and I have a game...
I realize I sound like a J. Peterman catalog for pseudo-Prousts. The truth is, I’ll never own this robe. Mostly I don’t have the balls....
Ted Williams’s last game for the Red Sox was almost a flop. But it provided fuel for one of the best sports essays of all time—until the author started tinkering. On baseball, The Simpsons, and the creative impulse to never stop.
Then Morse died and Lewis got a promotion and his own show, Lewis, to keep solving murder cases in Oxford, the university town he dislikes. You’d think they...
Long before The Wire came along, Prime Suspect exposed the mental ant-farms of both criminals and police. The stories were great (top-notch casting), and also lasted very long, three hours...
With more than 70 TV show premieres this fall, who has time to watch them all? Or even know what any of them are about? With no prior knowledge of the shows’ premises, here are some guesses.
Booker Prize-winner John Banville discusses writing crime novels under a pseudonym, hanging around with authors who own multiple homes, and why literature takes longer to produce than pulp.