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With a vision that relies on many years residing in Wisconsin and lots of love for the state, Mark Brautigam’s photos are lighthearted, loving, and frequently beautiful.
Amy Stein’s photography features concepts on the surface that you can grasp right away and tensions underneath that take a second longer to emerge.
Los Angeles graffiti, squeaky-voiced models, and animals carved into Indian temples all have a home in Deedee Cheriel’s paintings.
The ladies in Lauren Bergman’s paintings may leave a smear on your pristine mind, and that’s part of the point.
From the holiday bizarre-fests of Neiman Marcus to the travelogues of J. Peterman, the American catalog has a rich history, saying as much about what we want as who we are.
Matthew Porter’s photos are arresting for their feelings of stillness—at a car chase’s peak moment, or while the Hindenburg floats over the American West—as well as the crisp colors and punctilious construction.
During the past 40 years, writer and photographer Danny Lyon has recorded the stories of “outlaw bikers” and documented the front lines of the Civil Rights movement.
At major airports around the world, aircraft often burst into flames, get buried in buildings, and are burnt black. But don’t worry, the fiery wreckage isn’t real, it’s intentional.
Matt Duffin’s paintings aren’t what you’d call cheery—but who wants Disney these days with the sky falling around our heads? Anxiety and dread, and perhaps hope, are the keywords for today.
Myoung Ho Lee’s photos use a complicated process to create a simple image: trees separated from their surroundings, hinting at the world beyond.
For baby doll Dorothy in Graham Rawle’s version of The Wizard of Oz, home is an elaborate set made from containers and Christmas decorations, populated by a ratty toy lion and a balsa-wood Scotty dog.
Inspired by books and news specials and farmers markets, the foodie movement is driving droves of Americans to figure out exactly where their meals come from, and seek out food that wasn’t conceived by marketers.