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There’s something subversive about Marc Dennis’s new paintings, and it’s not just all the guns and kittens.
From Simen Johan’s “Until the Kingdom Comes,” a fantasy world of animals dropped into unfamiliar settings, where the humans appear to have expired.
To honor Arbor Day, an illustrated catalog of abuse taking place across the country, in cities large and small, where trees are being hacked, whacked, and chopped into unnatural shapes in the name of power.
Late last month the artist Bob Cassilly was killed in an accident on the grounds of Cementland, the 54-acre disused cement factory near the confluence of the Missouri and Mississippi...
A man who spent three years painting the same English tree repeatedly—in all weather, day and night—explains how exactly, and why.
A series of beach portraits from Ramos, an artificial saltwater lake surrounded by more than a dozen of Rio de Janeiro’s favelas—an oasis in one of the city’s poorest areas.
During the 1990s, Steve Powers painted lauded graffiti across New York City as ESPO, and published the dorm-room bookshelf staple, The Art of Getting Over. A selection from his recent “Daily Metaltations.”
Chad States previously photographed men at their most masculine. His latest work finds them amid lush parks at their most discreet.
The creatures in Alison Brady’s portraits escaped from an Ambien nightmare and are hanging around the house, scaring the cat. Some images may be NSFW.
Manmade light is normally considered pollution before it’s thought of as beautiful. A series of luscious portraits of Earth’s brightest hotspots.
On the outskirts of a Ghana slum, young people work in toxic conditions to extract metal from melted-down computers—technology that we’ve discarded, and shipped elsewhere for the dirty work of recycling.
The post-post-apocalyptic cityscape will see houses built in hammocks, and neighborhoods bound by chains. If you’ve ever felt that urban living depends on a wing and a prayer, welcome home.