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Growing up, photographer Kendall Messick only knew his neighbor, Gordon Brinckle, as the projectionist at the local movie theater. When they met again in 2001, Messick learned that Brinckle had been working at another theater, The Shalimar—a fully operational tribute to cinema’s great movie palaces constructed entirely in his basement, with even a working organ.
When the recession hit, artists James Tribble and Tracey Mancenido-Tribble took a different kind of road trip: They worked a full year as trained, professional truck drivers, hauling everything from J. Crew items to water bottles in their 18-wheeler.
Maria Ines Manchego’s photographs record an urban landscape more García Lorca than Jane Jacobs. These are orphan images, memories without causes, that we carry with us as we navigate New York—a documentary of a city’s unconscious.
A wonderful new book features the work of the Hand Drawn Map Association, a repository of maps ranging from drawings of simple directions to a map by Abraham Lincoln.
For the amount that Islam is discussed in the news, how many of us have read or tried to understand its most important text, the Qur’an? Artist Sandow Birk’s writes out and illustrates each verse, drawing equally from the traditions of calligraphy and graffiti.
Bathing is an ordinary routine for most of us, but Manjari Sharma’s shower is more than a place for a daily lather and rinse. It’s a confessional, a temple, and, for believers, an incarnation of the river Ganges.
Boarded-up windows in abandoned brick buildings, grass growing from sidewalk cracks, rusty storefronts—the cycle of a city’s evolution and abandonment is familiar. Artist Peter Feigenbaum reimagines these ghettos in miniature, using components from toy train sets and more.
Known to millions as a half-Vulcan science officer, Leonard Nimoy’s day-to-day life—as a husband, father, and photographer—is a secret, overshadowed by his role on an iconic TV show.
Over the past 20 years, photographer Catherine Opie’s various bodies of work depict the ways singular identities bring us together and isolate us from one another.
Inspired by photographs of Sicilian catacombs, Jack Burman has spent over a decade scouring Europe and South America, among other places, for the dead.
If Salvador Dalí and Paul Rubens painted Saudi kings while eating caviar and listening to Elvis, the collaboration might look like Ralph Wolfe Cowan’s portraits of heads of state, iconic celebrities, and buff, young models.
German photographer Julian Faulhaber captures public spaces—supermarkets and parking garages—in the moments between their construction and when they are opened for public use.