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When asked in 2007 why he photographed the aftermath of Hurricane Katrina, Wyatt Gallery told us he went in order to understand the disaster and its aftermath.
When a restaurant is empty, is it still an eating establishment? Wijnanda Deroo’s portraits of vacant restaurants, taken in four of New York City’s five boroughs, reflect just as much on human habits—although people are conspicuously absent from her photographs—as on the spaces themselves.
In Shinchi Maruyama’s photographs, handfuls of water tossed into the air become flowerbeds or perfect cylinders. An amalgam of sculpture, performance, and photography, Mauyama’s work reveals how much beauty can occur in the blink of an eye.
Photographer Sean Marc Lee’s images are refreshingly inconsistent: Next to an absurd but touching photo of two pairs of feet pressed together, their owners out of frame, is a portrait of an older man at a cafe, chopsticks in hand, with his lunch hanging out of his mouth.
Artist William Wegman is something of a polymath (polyart?). His works span from paintings and drawings, to conceptual videos, to photographs of his Weimaraner dogs.
Tiffany Bozic is a naturalist of her unconscious. In her latest work, Bozic’s paintings combine fascination with the natural world and a desire to explore uncharted emotional territory in dream-like renderings of plants and animals.
Looking at one of photographer Lori Nix’s pictures, something feels amiss long before you realize that the lifelike objects she portrays—bar stools, fountains, books, plants—are handmade and impossibly tiny.
Rachel Barrett’s series takes place in the northern California community of the same name that’s known for being reclusive (residents tear down highway markers), and for providing the backdrop to Richard Brautigan’s In Watermelon Sugar.
Professionally uninterested in Paris, one of his current cities of residence, photographer Michael Wolf began trolling Google Street View for a new perspective on the over-exposed city.
These surreal yet cozy images in Bo Bartlett’s work depict a world the painter knows best—himself, his childhood home, and family. But beyond painting what he knows, Bartlett paints what he feels, a spiritual connection between his past, present, and future lives.
Photographer Michele Abeles’s haunting and incisive portraits and still lifes refuse to provide us with narratives. Instead, they make us wonder why we desired such neat and tidy stories in the first place.
We’ll just come out and say it: A lot of photography and art books pass across our desk each year, and Chris Verene’s Family (Twin Palms) is the finest we’ve seen in 2010.