The Morning News needs your support
The Morning News needs your support. Please join us as a Sustaining Member!
Dwayne Moser creates backdrops of infamous scenes involving celebrities. Built by backdrop artists from photos Moser takes of the sites, these paintings ask whether public figures have private lives anymore, or are even their most personal moments up for grabs?
Life would be dull, all greasy dishes, Dixie Chicks, and junk mail, were it not for the giant tuna balloons moored outside the house, waiting to fly us to excitements somewhere else.
Drex Brooks photographs historical sites where conflict between Native Americans and white settlers occurred. The stillness of these overgrown or repopulated sites reminds us of what’s been forgotten and what’s missing.
Margaret Hooks tells the story of Edward James: wealthy British surrealist-art benefactor turned rural Mexican architect, demi-god and dreamer.
Ever wondered what the neighbors are doing over there? From 2007, inspired by curiosity and meticulous scale models, Amy Bennett’s paintings imagine what’s happening on the other side of the fence.
Unlike the dank motels where Americans allegedly seek anonymous sex, Japan’s love hotels are playful and unapologetically sexual. Photographer Misty Keasler shows the humor, desire, and even the loneliness of these empty rooms.
In an art world filled with bright lights that quickly fade, Marilyn Minter’s work, although jaw-droppingly sensational, radiates endurance, rendering our flaws fashionable and making glamour dirty.
Here we see the polygonal French capital, between 1950 and 1972, as preserved from a single-engine army plane. Its pilot, Roger Henrard, was a businessman and an artist, and his bird’s-eye pictures of Paris, a city that can seem heavily barricaded and crammed together from the sidewalk, reveal the air pockets in its planning.
For anyone who has eaten the whole box, or bag, or carton the photographs in this series make light of our secret binges. Here, the consequences of indulgence are tabloid or monster movie deaths.
Robert Pruitt’s butcher-paper drawings give us complex characters, full of personality but limited in how much they share. It’s art as tease, pose, and challenge. Refreshingly, it’s also very engaging.
These photos tell the story of Adam Bartos’s move to L.A. in the 1970s, when he arrived expecting Hollywood glitz and glamour and instead discovered the serene and all-American images in this series.
These are photos of your grandmother’s winter holiday. They document your cousin’s spring break—minus the bikinis and beer bongs. But Martin Parr’s photos of Mexico are not the pictures one brings back from a trip. Instead, this work seems like memories of a visit.